Mike Mosher
Professorat Saginaw Valley State University
Mike Mosher teaches undergraduate classes in his practice Drawing, Community Murals, and Comics, as well as graduate classes in digital media production, experience design and visual culture. His books included Creating Web Graphics, Audio & Video (with Roger Shepard, 2002), George Orwell Illustrated by David Smith, Illustrated by Mike Mosher (201) and two manga-illustrated textbooks (with Uosaki Noriko, Shohakusha, Tokyo, 2005, 2008) teaching English language and American culture using rock and pop song lyrics. With student Kelley Gray he designed The Moshereum virtual museum VR app for the Oculus Rift system (2015.)
The Belgian Photonovel, 1954–1985: An Introduction
Ruth Stone’s Vast Library of the Female Mind
The Unfinished Business of Unsettled Things: Art from an African American South
Design as Democratic Inquiry: Putting Experimental Civics Into Practice
Orozco’s American Epic: Myth, History and the Melancholy of Race
iBauhaus: The iPhone as the Embodiment of Bauhaus Ideals and Design
The Interface: IBM and the Transformation of Corporate Design, 1945–1976
Perfection’s Therapy: An Essay on Albrecht Dürer’s Melencolia I
Cornucopia Limited: Design and Dissent on the Internet by Richard Coyne. MIT Press, Cambridge, MA, U.S.A., 2005. 272 pp. Trade. ISBN: 0-262-03336-4
Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900–1935
Special Delivery by Tunsi. Parana Records, Oakland, CA, U.S.A., 2005. Audio CD. Distributor's web site: www.paranarecords.net
Bootstrapping: Douglas Engelbart, Coevolution and the Origins of Personal Computing
Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America by Takayuki Tatsumi, Duke University Press, Durham NC, U.S.A., 2006. 272 pp., illus. Trade, paper. ISBN 0-8223-3762-2; ISBN: 0-8223-3774-6
Salvador Allende by Patricio Guzmán. First Run/Icarus Films, Brooklyn NY, 2006. DVD, 100 min. Distributor's web site: 〈www.frif.com〉
Approaches to Understanding Visual Culture by Malcolm Barnard. Palgrave, New York, NY, 2001. Paper. $22.95. ISBN: 0-333-77288-1
Building a Century of Progress: The Architecture of Chicago's 1933–34 World's Fair by Lisa D. Schrenk. University of Minnesota Press, Minneapolis MN USA, 2007. 368 pp., illus. Trade. ISBN: 0-8166-4836-8
The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond edited by Catherine de Zegher and Mark Wigley. MIT Press, Cambridge, MA, U.S.A., 2001. 152 pp., illus. Trade, $29.95. ISBN: 0-262-04191-X
Adorno in America by David Jenemann. University of Minnesota Press, Minneapolis, MN, U.S.A., 2007. 288 pp. Paper. ISBN: 978-0-8166-4809-2
The Bauhaus and America: First Contacts 1919–1936 by Margret Kentgens-Craig, Lynette Widder, trans. MIT Press, Cambridge, MA, U.S.A., 2001. 283 pp., illus. Paper. ISBN 0-262-61171-6
The Cry at Zero by Andrew Joron. Counterpath Press, Denver, CO, U.S.A., 2007. 120 pp. Paper. ISBN: 978-1933996-02-8
The Dreams of Interpretation: A Century Down the Royal Road edited by Catherine Liu, John Mowitt, Thomas Pepper and Jakki Spicer. University of Minnesota Press, Minneapolis, MN, 2007. 344 pp. Paperback. ISBN: 978-0-8166-4800-9
Othermindedness: The Emergence of Network Culture
The Posthuman Dada Guide: Tzara Lenin Play Chess by Andrei Codrescu. Princeton University Press, Princeton, NJ, U.S.A., 2009. 248 pp. Paper. ISBN: 978-0691-13778-0
Otaku: Japan's Database Animals by Hiroki Azuma; Jonathan E. Abel and Shion Kono, trans. University of Minnesota Press, Minneapolis, MN, U.S.A., 2009, 200 pp., illus. Trade, paper. ISBN: 0-8166-5351-5; ISBN: 0-8166-5352-2
Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art
Walter Benjamin's Other History: Of Stones, Animals, Human Beings and Angels
Undead Science: Science Studies and the Afterlife of Cold Fusion
Processing: A Programming Handbook for Visual Designers and artists, Second Edition
Global Cities: Cinema, Architecture, and Urbanism in a Digital Age
Repainting the Walls of Lunda: Information Colonialism and Angolan Art; The Sound of Culture: Diaspora and Black Technopoetics