The Empathy Diaries: A Memoir

From Méliès to New Media: Spectral Projections

Photography's Other Histories

Innovation and Visualization: Trajectories, Strategies and Myths

A Culture of Improvement: Technology and the Western Millennium by Robert Friedel. MIT Press, Cambridge, MA, U.S.A., 2007. 576 pp., illus. Trade. ISBN 10: 0-262-06262-3; ISBN 13: 978-0-262-06262-6

Institutional Critique: An Anthology of Artists' Writings edited by Alexander Alberro and Blake Stimson. MIT Press, Cambridge, MA, U.S.A., 2011. 440 pp., illus. Trade. ISBN: 978-0-262-51664-8

Emotions: Pain and Pleasure in Dutch Paintings of the Golden Age

Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe

Exhibition Catalogue: Visionary Anatomies

Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective by Lyle Massey. Pennsylvania State University Press, University Park, PA, 2007. 192 pp., illus. Trade. ISBN: 978-0-271-02980-1

Helmholtz: From Enlightenment to Neuroscience by Michel Meulders; edited and translated by Laurence Garey. The MIT Press, Cambridge, MA, U.S.A., 2010. 264 pp., illus. Trade. ISBN: 978-0-262-01448-9

Reductionism in Art and Brain Science: Bridging the Two Cultures

Howard Zinn: You Can't Be Neutral On a Moving Train by Deb Ellis and Denis Mueller. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2004. 16 mm, 78 min., color

Cognitive Science, Literature and the Arts

Artscience: Creativity in the Post-Google Generation by David Edwards. Harvard University Press, Cambridge, MA, U.S.A., 2008. 194 pp. Trade. ISBN: 9-780-67402625-4

The Idea Factory: Bell Labs and the Great Age of American Innovation by Jon Gertner. Penguin Press, New York, NY, U.S.A. 2012. 432 pp. Trade. ISBN-13: 978-1-5942-0328-2

The New Ecology: Rethinking a Science for the Anthropocene

Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002

Arnheim, Gestalt and Art: A Psychological Theory by Ian Verstegen. Springer, 2005. 188 pp. ISBN: 3211288643.

Perspective, Projections and Design: Technologies of Architectural Representation edited by Mario Carpo and Frédérique Lemerle. Routledge, New York, NY, U.S.A., 2007. 224 pp. Hardcover; paperback. ISBN-10: 0-415-40204-2; ISBN-10: 0-415-40206-9

Pairing of Polarities: The Life and Art of Sonya Rapoport edited by Terri Cohn. Heyday Books, Berkeley, CA, U.S.A., 2012. 160 pp, illus. Paper. ISBN-13: 978-1-5971-4187-1

Future of the Brain: Essays by the World's Leading Neuroscientists

Surroundings Surrounded: Essays on Space and Science edited by Peter Weibel. MIT Press, Cambridge, MA, U.S.A., and London, U.K., 2002. 719 pp., illus. Paper, $34.95 ISBN 0-262-73148-7

Science in Context. Special Issue: Writing Modern Art and Science Linda Dalrymple Henderson, Guest Editor. Cambridge Univ. Press, London and New York, December 2004. Vol. 17, No. 4, pp. 423-635. ISSN: 02698897.

California Video: Artists and Histories edited by Glenn Phillips. Getty Publications, Los Angeles, CA, U.S.A., 2008. 312 pp., illus. Hardcover. ISBN-13: 978-0-892-36922-5

Deadline Every Second: On Assignment with 12 Associated Press Photojournalists produced by Ken Kobré and John Hewitt. 58 min. Film website: www.deadlineeverysecond.com

A Mind at Play: How Claude Shannon Invented the Information Age

Leon Battista Alberti: Master Builder of the Italian Renaissance by Anthony Grafton. Harvard Univ. Press, Cambridge, MA, U.S.A., and London, U.K., 2002. 417 pp., illus. Paper. ISBN: 0-674-00868-5

A Culture of Light: Cinema and Technology in 1920s Germany by Frances Guerin. University of Minnesota Press, Minneapolis, MN, U.S.A., 2005. 360 pp., illus. Paper. ISBN: 0-8166-4286-9

Systematics as Cyberscience: Computers, Change, and Continuity in Science by Christine Hine. MIT Press, Cambridge, MA, U.S.A., 2008. 320 pp., illus. Trade. ISBN: 0-262-08371-X

The Loving Story directed by Nancy Buirski. Icarus Films, Brooklyn, NY, U.S.A., 2011. DVD, 77 min. Distributor's website: http://icarusfilms.com

ChildArt Magazine: Arts and the Mind—The Brain Science of Human Experience (July–September 2017)

The Judgement of the Eye: The Metamorphoses of Geometry—One of the Sources of Visual Perception and Consciousness by Jürgen Weber. Springer-Verlag, Vienna, Austria and New York, NY, U.S.A., 2002. 200 pp., illus. Paper. ISBN: 3-211-83768-X

Perception and Illusion: Historical Perspectives by Nicholas J. Wade. Springer, New York, NY, U.S.A., 2005. 250 pp. ISBN: 0387227229

Gerhard Richter edited by Benjamin H.D. Buchloh. The MIT Press, Cambridge, MA, U.S.A., 2009. 200 pp., illus. Trade, paper. ISBN: 978-0-262-01351-2, ISBN: 978-026-251312-8

Art and the Senses

Consecrating Science: Wonder, Knowledge, and the Natural World

Exploring Consciousness by Rita Carter. University of California Press, Berkeley, CA, U.S.A. and Weidenfeld Nicolson, London, U.K., 2002. 320 pp., illus. Trade. ISBN: 0-520-23737-4

Celebrating the Art, Science and Technology Community

The Arts of China Fifth Edition, Revised and Expanded by Michael Sullivan. University of California Press, Berkeley, CA, U.S.A., 2009. 368 pp., illus. Trade, paper. ISBN: 9780520255685; 9780520255692

Matter and Consciousness, Third Edition

Black Out: Silhouettes Then and Now

Representing Place: Landscape Painting and Maps

Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought by Tony Robbin. Yale Univ. Press, New Haven, CT, U.S.A., 2006. 160 pp., illus. Trade. ISBN: 0-300110-39-1

Everyday Creativity: Shared Languages Collective Action 7th Creativity and Cognition Conference, 27–30 October 2009, Berkeley Art Museum and the University of California at Berkeley

The Aesthetic Brain: How We Evolved to Desire Beauty and Enjoy Art

A Different Kind of Animal: How Culture Transformed Our Species

Images From Science: An Exhibition of Scientific Photography

Beyond Geometry: Experiments in Form, 1940s–1970s edited by Lynn Zelevansky. MIT Press, Cambridge, MA, U.S.A., 2004. 232 pp., illus. Trade. ISBN: 0-262-24047-5

Art and the Brain: What Does the Evidence Tell Us?