Amy Ione
Directorat The Diatrope Institute
Amy Ione is an artist, educator, and the Director of The Diatrope Institute. She has published extensively on art, science and technology topics. She has widely published in the books and journals of several disciplines. Her books include Innovation and Visualization: Trajectories, Strategies, and Myths (Rodopi, 2005) and Art and the Brain: Plasticity, Embodiment, and the Unclosed Circle (Rodopi Brill 2016).
Addiction Becomes Normal: On the Late-Modern American Subject
William James, MD: Philosopher, Psychologist, Physician
Architecture of Life: Soviet Modernism and the Human Sciences
Inside the Spiral: The Passions of Robert Smithson
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–2020
Time Stands Still: Muybridge and The Instantaneous Photography Movement
The Fourth Annual National Conference of the American Synesthesia Association, Inc.
Circles: Science, Sense and Symbol by Nicholas Wade. Dundee University Press, Dundee, U.K., 2007. 206 pp., illus. Paper. ISBN: 978-1-84586-019-6
In Praise of Copying by Marcus Boon. Harvard University Press, Cambridge, MA, U.S.A., 2010. 304 pp. ISBN-10: 0674047834; ISBN-13: 978-0-674-04783-9
Neuroscience and the Environment: A View on Change and Constancy within Our Current Paradigm
Innovation and Visualization: Trajectories, Strategies and Myths
A Culture of Improvement: Technology and the Western Millennium by Robert Friedel. MIT Press, Cambridge, MA, U.S.A., 2007. 576 pp., illus. Trade. ISBN 10: 0-262-06262-3; ISBN 13: 978-0-262-06262-6
Institutional Critique: An Anthology of Artists' Writings edited by Alexander Alberro and Blake Stimson. MIT Press, Cambridge, MA, U.S.A., 2011. 440 pp., illus. Trade. ISBN: 978-0-262-51664-8
Emotions: Pain and Pleasure in Dutch Paintings of the Golden Age
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe
Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective by Lyle Massey. Pennsylvania State University Press, University Park, PA, 2007. 192 pp., illus. Trade. ISBN: 978-0-271-02980-1
Helmholtz: From Enlightenment to Neuroscience by Michel Meulders; edited and translated by Laurence Garey. The MIT Press, Cambridge, MA, U.S.A., 2010. 264 pp., illus. Trade. ISBN: 978-0-262-01448-9
Reductionism in Art and Brain Science: Bridging the Two Cultures
Howard Zinn: You Can't Be Neutral On a Moving Train by Deb Ellis and Denis Mueller. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2004. 16 mm, 78 min., color
Artscience: Creativity in the Post-Google Generation by David Edwards. Harvard University Press, Cambridge, MA, U.S.A., 2008. 194 pp. Trade. ISBN: 9-780-67402625-4
The Idea Factory: Bell Labs and the Great Age of American Innovation by Jon Gertner. Penguin Press, New York, NY, U.S.A. 2012. 432 pp. Trade. ISBN-13: 978-1-5942-0328-2
The New Ecology: Rethinking a Science for the Anthropocene
Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002
Arnheim, Gestalt and Art: A Psychological Theory by Ian Verstegen. Springer, 2005. 188 pp. ISBN: 3211288643.
Perspective, Projections and Design: Technologies of Architectural Representation edited by Mario Carpo and Frédérique Lemerle. Routledge, New York, NY, U.S.A., 2007. 224 pp. Hardcover; paperback. ISBN-10: 0-415-40204-2; ISBN-10: 0-415-40206-9
Pairing of Polarities: The Life and Art of Sonya Rapoport edited by Terri Cohn. Heyday Books, Berkeley, CA, U.S.A., 2012. 160 pp, illus. Paper. ISBN-13: 978-1-5971-4187-1
Future of the Brain: Essays by the World's Leading Neuroscientists
Surroundings Surrounded: Essays on Space and Science edited by Peter Weibel. MIT Press, Cambridge, MA, U.S.A., and London, U.K., 2002. 719 pp., illus. Paper, $34.95 ISBN 0-262-73148-7
Science in Context. Special Issue: Writing Modern Art and Science Linda Dalrymple Henderson, Guest Editor. Cambridge Univ. Press, London and New York, December 2004. Vol. 17, No. 4, pp. 423-635. ISSN: 02698897.
California Video: Artists and Histories edited by Glenn Phillips. Getty Publications, Los Angeles, CA, U.S.A., 2008. 312 pp., illus. Hardcover. ISBN-13: 978-0-892-36922-5
Deadline Every Second: On Assignment with 12 Associated Press Photojournalists produced by Ken Kobré and John Hewitt. 58 min. Film website: www.deadlineeverysecond.com
A Mind at Play: How Claude Shannon Invented the Information Age
Leon Battista Alberti: Master Builder of the Italian Renaissance by Anthony Grafton. Harvard Univ. Press, Cambridge, MA, U.S.A., and London, U.K., 2002. 417 pp., illus. Paper. ISBN: 0-674-00868-5
A Culture of Light: Cinema and Technology in 1920s Germany by Frances Guerin. University of Minnesota Press, Minneapolis, MN, U.S.A., 2005. 360 pp., illus. Paper. ISBN: 0-8166-4286-9
Systematics as Cyberscience: Computers, Change, and Continuity in Science by Christine Hine. MIT Press, Cambridge, MA, U.S.A., 2008. 320 pp., illus. Trade. ISBN: 0-262-08371-X
The Loving Story directed by Nancy Buirski. Icarus Films, Brooklyn, NY, U.S.A., 2011. DVD, 77 min. Distributor's website: http://icarusfilms.com
ChildArt Magazine: Arts and the Mind—The Brain Science of Human Experience (July–September 2017)
The Judgement of the Eye: The Metamorphoses of Geometry—One of the Sources of Visual Perception and Consciousness by Jürgen Weber. Springer-Verlag, Vienna, Austria and New York, NY, U.S.A., 2002. 200 pp., illus. Paper. ISBN: 3-211-83768-X
Perception and Illusion: Historical Perspectives by Nicholas J. Wade. Springer, New York, NY, U.S.A., 2005. 250 pp. ISBN: 0387227229
Gerhard Richter edited by Benjamin H.D. Buchloh. The MIT Press, Cambridge, MA, U.S.A., 2009. 200 pp., illus. Trade, paper. ISBN: 978-0-262-01351-2, ISBN: 978-026-251312-8
Consecrating Science: Wonder, Knowledge, and the Natural World
Exploring Consciousness by Rita Carter. University of California Press, Berkeley, CA, U.S.A. and Weidenfeld Nicolson, London, U.K., 2002. 320 pp., illus. Trade. ISBN: 0-520-23737-4
Celebrating the Art, Science and Technology Community