Salomé Voegelin

Reader in Sound Artsat London College of Communication, University of the Arts London
Richmond,
United Kingdom
Focus area: Art History, Performance Art, Theater Studies, Sound, Acoustics, Urban Planning, Built Environment, Writing, Literature, Poetry

Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice of sound. Her work and writing deal with sound, the world sound makes: its aesthetic, social and political realities that are hidden by the persuasiveness of a visual point of view. Voegelin is the author of Listening to Noise and Silence 2010, and Sonic Possible Worlds, 2014, and The Political Possibility of Sound, 2018.

As an artist Voegelin works collaboratively with David Mollin, Mollin+Voegelin, in a practice that engages words, things and sound and focusses on invisible connections, transient behaviour and unseen rituals. Together with Prof. Anna Barney she lead Listening across Disciplines, (www.listeningacrossdisciplines.net) a pan- European network that sought to establish listening as a cross-disciplinary methodology. She is the PI on their new AHRC-funded grant: Listening across Disciplines II, which will start in January 2019. Voegelin is a reader in Sound Arts at the London College of Communication, University of the Arts London. www.salomevoegelin.net

Journal Articles:
On-Line Supplement: Sound Art Theories Symposium

Sonic Possible Worlds

December 2013
Articles and Notes

Collaboration and Consensus in Listening

December 2018