Gabriela Aceves Sepúlveda is a scholar and artist working at the intersection of art, science, and technology. She is the author of the award-winning book Women Made Visible: Feminist Art and Media in Post-1968 Mexico (2019) and co-editor of Diffracting the North: Contemporary Latinx Canadian Experiences and Practices in Film, New Media, and Visual Arts (2025). Her research appears in various journals and edited volumes, including Arteologie, Feminist Media Histories Journal, Leonardo, Leonardo Music Journal, Media-N: the Journal of the New Media Caucus, The Journal of Latin American & Latinx Visual Culture, Technoetic Arts: A Journal of Speculative Research, Resonance: Journal of Sound & Culture, among others. Her collaborative multimedia projects explore the body as a site of cultural, gendered, and techno-scientific inscriptions. Recent works include Mitochondrial Ontologies: Deep Time and the Digital (2024) and Diasporic Worldings (2025). She is an Associate Professor at the School of Interactive Arts & Technology at Simon Fraser University, where she leads the research-creation studio Critical Media Art Studio (cMAS).