Page Widick
6th Shadow Festival Amsterdam, Netherlands, 22-30 November 2005, www.shadowfestival.nl.
How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris. The MIT Press, Cambridge, MA, U.S.A., 2013. 304 pp., illus. Trade. ISBN: 978-0-262-01919-4
Angels and Demons in Art by Rosa Giorgi. Getty Publications, Los Angeles, CA, U.S.A., 2005. 384 pp., illus. Paper. ISBN: 0-89236-830-6
Malick Sidibé: Portrait of the Artist as a Portraitist by Susan Vogel. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2006. VHS, 8 min, color. Distributor's web site: www.frif.com
Our Daily Bread by Nikolaus Geyrhalter. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2006. Video-DVD, 92 min, color. Distributor's web site: 〈www.frif.com〉
Traces of Light: Absence and Presence in the Work of Loïe Fuller by Ann Cooper Albright. Wesleyan University Press, Middletown, CT, U.S.A., 2007. 229 pp., illus. Trade, paper. ISBN: 0-8195-6843-0; ISBN: 0-8195-6842-2
Two Regimes of Madness: Texts and Interviews 1975–1995 by Gilles Deleuze; edited by David Lapoujade; translated by Ames Hodges and Mike Taormina. MIT Press, Cambridge, MA, U.S.A., 2008. 424 pp. Paper. ISBN-13: 978-1-58435-062-0
French Colonial Documentary: Mythologies of Humanitarianism by Peter J. Bloom. University of Minnesota Press, Minneapolis, London, U.S.A./U.K., 2008. 280 pp., illus. Trade, paper. ISBN: 978-0-8166-4628-9; 978-0-8166-4629-6
Memory against Culture by Johannes Fabian. Duke University Press, Durham and London, U.S.A/U.K., 2007. 208 pp., illus. Hardcover; paperback
Mechanical Love by Phie Ambo, director. 52 min, 2007. Distributed by Icarus Films, New York, U.S.A., 2009. 〈www.icarusfilms.com〉
The Origin of Humanness in the Biology of Love by Humberto Maturana Romesin and Gerda Verden-Zöller. Imprint Academic, Exeter, U.K., 2008. 227 pp., illus. Paper. ISBN: 978-184540088-0
From Méliès to Galaxy Quest: The Dark Matter of the Popular Imagination
Artistic Production Following Brain Damage: A Study of Three Artists
Under the Spell of Dziga Vertov's “Kino—Eye” and “Kino—Ear”: Le Giornate Del Cinema Muto, 23rd Edition
Relationscapes: Movement, Art, Philosophy by Erin Manning. The MIT Press, Cambridge, MA, and London, U.K., 2009. 272 pp., illus. Trade. ISBN: 978-0-262-13490-3
Documentary Film at the Junction Between Art, Politics, and New Technologies
The Object Reader edited by Fiona Candlin and Raiford Guins. Routledge Taylor Francis Group, London and New York, 2009. 576 pp. ISBN-13: 978-0-415-45229-8
Modernism after Wagner by Juliet Koss. University of Minnesota Press, Minneapolis, U.S.A., London, U.K., 2009. 416 pp., illus. Trade, paper. ISBN: 978-0-8166-5158-0; ISBN 978-0-8166-5159-7
The Aegina Academy, A Forum for Art and Science: Light/Image/Illusion
A Boatload of Wild Irishmen directed by Mac Dara Ó Curraidbin. Scriptwriter: Brian Winston. 84 min. DVD, color. Distributor's website: icarusfilms.com
18th International Documentary Film-Festival Amsterdam (IDFA) Amsterdam, Netherlands, 24 November-4 December 2005, www.idfa.nl.
Theatre, Opera and Consciousness: History and Current Debates by Daniel Meyer-Dinkgräfe. Rodopi Press, Amsterdam, the Netherlands/New York, NY, U.S.A., 2013. 241 pp. ISBN: 978-90-420-3663-5