Graduate Abstracts Database | Leonardo/ISASTwith Arizona State University

Graduate Abstracts Database

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Thesis Title LABS ID Author Degree Year University Advisor(s) Department/Discipline Keywords/Fields of Study
_derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices 3935 Benjamin Carey

PhD

2016

University of Technology, Sydney Associate Andrew Johnston, Jon Drummond

Music Technology

Interactive Music, Improvisation, Creative Coding, Reflective Practice, Computer Music, New Interfaces for Musical Expression, Electronic Music, Live Algorithms, Music, Music Composition, Music Performance, Music Technology, Musical Metacreation, Computat

'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies 3862 Kristin Carlson

PhD

2016

Simon Fraser University Thecla Schiphorst

The School of Interactive Arts and Technology

Choreographic Process; Sketching; Defamiliarization; Genetic Algorithm; Embodied Experience; Creativity

"A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition" 3787 Haytham Nawar

DOCTOR OF PHILOSOPHY

2016

Plymouth University Roy Ascott, Mike Phillips

School of Art and Media, Faculty of Arts

linguistics, writing systems, communication theory, visual communication, pictographs, semiotic theories, cultural studies, transculturalism, multiculturalism, transhuman, transhumanism, posthuman, posthumanism, singularity, artificial intelligence, unive

"Alternative” Storytelling : spoken voice and narrative in sound-based works 4070 Hyeon Min Kim (aka Una Lee)

PhD

2019

Queen's University Belfast, Sonic Arts Research Centre Paul Stapleton, Franziska Schroeder

Sonic Arts

interdisciplinary, autobiography, portfolio-based

"Being and Becoming: Physics, Hegemony, Art and the Nomad in the Works of Ezra Pound, Marcel Duchamp, Samuel Beckett, John Cage and Thomas Pynchon." 3668 Martin E. Rosenberg

Ph.D.

1990

University of Michigan Rackham Graduate School Stuart McDougal, William R. Paulson, Ann Herrmann; Julie

English Language and Literature

Physics, Philosophy, Literature, Art, Theater, Music, Bergson, Deleuze, Thomas Pynchon, Ezra Pound, Samuel Beckett, John Cage,

“Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) 4235 Tianyu Jiang

Master of Arts in Cinema Studies

2019

Stockholm University Malin Wahlberg

Department of Media Studies

Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship

“OPEN DÉCIMA” (OPEN TEN-LINE STANZA). Study of the relationship between the HTML computer language and the ten-line stanza poetry. 3979 Viviana Álvarez Chomón

Master of Media Arts

2017

UCHILE. University of Chile Valentina Montero

Media Arts

code poetry, Medial archeology, HTML

(RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. 3122 Jennifer Willet

PhD

2009

Concordia University Kim Sawchuk

Interdisciplinary Humanities

bioart, embodiment, biotechnology, art, technology, bioteknica

[in]visible art: conspicuous making in an age of nano textiles 4249 Copland, Meredith Brice

Masters Research - Master of Philosophy [MPhil] Fine Art

2017

University of Newcastle Andre Brodyk, Sean Lowry

School of Creative Arts, Faculty of Education and Arts

art and science; nano textiles

<random> search 3123 Ayah Bdeir

Masters of Science in Media Arts and Sciences

2006

Massachusetts Institute of Technology Chris Csikzentmihalyi

Media Lab, School of Architecture and Planning

metal detector, magnetometer wand, random selection, ethnic discrimination, pat down, security screening, racial profiling, Transportation Security Administration, body frisk, security theater, intrusive search, abuse of power, abiding traveler, silent bo