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The confrontation between Pierret's dialectic materialism and Schaeffer's rebellious pragmatism has engendered the most engrossing title on Schaeffer so far, and the only one that thoroughly deserves the critical label. Not seldom cornered by Pierret's critical stance, Schaeffer retorts with frankness:
-- Ah, Berio! As people say about a sportsman or a mathematician, "he's on the ball". Composer, conductor, manager of his Kathy [sic] Barberian, he feels so at ease everywhere! What talent he's got! But what a lot of notes, what a lot of procedures no sooner invented than already abandoned, what a lot of gratuitous virtuosity! What do you expect? This sounds fin de siècle to me! It's Byzantium. (Pierret 1969: 23)Entretiens avec Pierre Schaeffer contains "Technique et esthétique des Arts-Relais", an exceptional excerpt from an unpublished 1941 draft by Schaeffer.
Table of Contents
Introduction |
7
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Chapter I | To Listen |
19
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Chapter II | To Write |
85
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Chapter III | To Administer |
129
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Table of Contents |
195
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Posted 13 September 2001.
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