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Copy Art Bibliography

Compiled by Reed Altemus, 16 Blanchard Rd, Cumberland, ME 04021, U.S.A. Tel./Fax: (207) 829-6811. Email: raltemus@earthlink.net. Updated March 2003.


Bleus, Guy. "Copy art evidences." Wellen, Belgium: Guy Bleus, n. d.

Bruscky, Paulo. "Artistical Xerografy: Art Without Original (The Invention of the Xerografy Machine)." Recife, Brazil: Paulo Bruscky, n.d.

Máté, Gyula. "WBA (Wire Brush Art)." Bonyhad, Hungary: Gyula Máté, 1992.

Norton, Tom and Holmes, Gini. "Electrographics Workbook, #1." Boston, Massachusetts: Tom Norton & Gini Holmes, 1980.

Pawson, Mark. "Black and White." London: Mark Pawson, 1991.

Pawson, Mark. "Games to Play with the CLC200." London: Mark Pawson, 1991.

Pontes, Hugo. "Xerography." Poços de Caldas, Brasil: Hugo Pontes, 1989.


Horvitz, Susanne Joan. "Photo Copy Art." Ann Arbor, MI: International, c. 1977. Dissertation Abstracts International no. 78-4459

Morley, Carole Louise. "Xerography: An Annotated Bibliography." Johannesburg, S. A. : University of Witwatersrand, Department of Bibliography, Librarianship and Typography, c. 1970.


Akiba, David. "In the City." Lightworks. {Michigan} 13: 23-25 (Fall 1980).

Anonymous. "Copier art: Sarah Jackson." Quick Printing {Florida} 16 (12): 44-46 (September 1993).

Anonymous. "Copier Serves as a Palette for Artist." Word Processing {New York} 7(1):17-18 (Jan./Feb. 1978).

Anonymous. "Copies." The New Yorker 56(24):23-24 (August 4, 1980).

Anonymous. "Eleanor Kent 1989: Shell and Hologram of a Shell" L. A. S. E. R. News 9 (4): 12 (Winter 1989-90).

Anonymous. "Dijon: Copy Art." Beaux Arts {France}10: 87 (February 1984).

Anonymous. "Mechanizing the Muse." Artnews 79 (2): 6-8 (February 1980).

Anonymous. "Windows: Photocopy copy copy art." Life 3 (1): 9-12 (January 1980).

Anonymous. "Copy Art by Patrick Firpo." Afterimage {Rochester} 6 (8): 19 (March 1979).

Anonymous. "Art From Technology." Industry Week 166: 40-42 (October 12, 1970).

Anonymous. "Xeros Sutra Editions." Unsound (San Francisco) 2(2):27-33 (July 1987).

Anonymous. "Xexoxial Endarchy." Version 90 1:4-15 (1990).

Atwater, Skip. "William Larson: Time and Structure." Afterimage 4 (6): 4-5 & 18 (December 1976).

Baldwin, Roger. "Electrographics." New Haven Magazine 1 (2): 25-28 (November 1982).

Banzaglia, Carlo. "Fotocopie Italiane." Photonews {Italy} (November 1994): 49- 58.

Beaton, Virginia. "Original Copies." Cities {Canada} 3 (3):6 (June 1989).

Bodolai, Joe. "Six exhibitions." Cahiers des Arts Visuels au Québec 10 (37): 4-9 (Summer 1988).

Brunet-Weinmann, Monique. "Georg Mühleck: Reflexion sur la face cachée." Vie des Arts {Montréal} 31 (127): 63 (Summer 1987).

Brunet-Weinmann, Monique. "L'effet Olbrich." Vie des Arts {Montréal} 30 (124): 73 (Summer 1986).

Brunet-Weinmann, Monique. "Philippe Boissonnet: Le Métissage est le Message." Vie des Arts {Montréal} 30 (123): 79 (Summer 1986).

Brunet-Weinmann, Monique. "Evergon, Les Spectres de la Photographie" Vie des Arts {Montréal} 30 (122): 70-71 (Spring 1986).

Brunet-Weinmann, Monique. "Georg Mühleck: Le dregré zérox de la peinture." Vie des Arts {Montreal} 29 (118): 71 (March 1985).

Brunet-Weinmann, Monique. "Une Poétique de la xérographie (John W. Stewart)." Vie des Arts {Montréal}28 (117): 62 (December 1984).

Brunet-Weinmann, Monique. "Motivation V: Une Galerie Perpendiculaire?" Vie des Arts {Montréal} 26 (107): 55-6 (Summer 1982).

Brush, Gloria DeFilipps. "Photographing small scale objects: History, context and format." Leonardo 20 (3): 231-234 (1987).

Buchwald, Micheal. "The mind is cutting." Siksi: Nordic Art Review 1986 (2): 46-47.

Burch, Charleton. "Xerography." Lightworks {Michigan} 6: 10-11 (December/January 1977).

Burch, Charleton. "Art in a Flash: Canadian & German Xerography" Lightworks {Michigan} 18: 12-16 (Winter 1986/87).

Burkhardt, Dorothy. "Copy Graphics." Artweek 10:15 (April 14, 1979).

Butera, Virginia Fabbri. "Susan Kaprov." Arts Magazine 56 (1): 10 (September 1981).

Carstensen, Jeanne. "I want to xerox my dreams." Whole Earth Review {California} 57: 2 (Winter 1987).

Cebulski, Frank. "The challenge of new technolgies." Artweek 13 (20): 1&20 (May 22, 1982).

Charbonneau, Jacques. "Enantiotropia." Cahiers des Arts Visuels au Québec {Canada} 10 (38): 6 (1988).

Coombe, Tucker J. "State of the Art: Of concern to working artists" The Artist's Magazine 10 (1): 86 (January 1993)

Cushman, Barbara. "Copy art: San Francisco revolution." Umbrella {California} 3 (4): 97 (Summer 1980).

DeMéridieu, Florence. "La 'Revolution' des Images." Art Press {France} 76: 20-24 (December 1983).

De Méridieu, Florence. "Pati Hill ou le Catalogue des Objets Magiques (Pati Hill or the Catalogue of Magical Objects)." Art Press {France} 76: 25 (December 1983).

Dunham, Judith L. "All Xerox." Artweek 7 (7): 3 (February 14, 1976).

Eastcott, R. W. " Study/ January 21/ 71: Electrograph." Artists Proof 11:106-107 (1971).

Fifield, George. "Electrophotographcopyinstantart." Views {Boston} 3 (1): 16-17 (1981).

Fischer, Hal. "Journals of Experience." Artweek 13 (22): 7 (June 19, 1982).

Forster, K. W. "Special Feature: Hodgetts and Fung." A+ U {Tokyo} 246: 122-123 (March 1991).

Fox, William I. "Four Black Corners: Xerography of William I. Fox." Lightworks {Michigan} 20/21:6-8 (1990).

Gano-Lewis, Cynthia & Bushmiller, Edgar Allen. "Rough Proof" Lightworks {Michigan} 17: 14-16 (1985).

Godown, Linton. "Letters from an Electrostatic Experimenter." Leonardo 23 (2/3):245-50 (1990).

Goldsmith, Arthur. "From the New Rapid Color Copiers: 'Cave Paintings of Space-age Technology', Alexius Ruspoli-Rodriguez." Popular Photography 74 (1): 114-119, 202, 206 (January 1974).

Gonzalez, Marisa. "Miradas en el Tempo (Glances in Time)." Leonardo 27 (2): 99-100 (1994).

Gonzalez, Marisa." Copiers, Motion, and Metamorphosis." Leonardo 23 (2/3): 295-300 (1990).

Greene, Merrill. "Wallace Berman: Portrait of an Underground Man" Artforum 16 (6): 53-61 (February 1978).

Griecci, Patricia. "Through the Eyes of A Machine." Views {Boston}4 (3): 19 (1983).

Gundlach, R. W. & Gundlach G. E. "Electrostatic Landscape." Leonardo {UK} 23 (2/3): 241-4 (1990).

Hauser, Reine. "Duplicating Efforts." Franklin Furnace Flue {New York} 2 (2): 20-23 (Spring1982).

Heit, Janet. "Antonio Frasconi." Arts Magazine 54 (2): 8 (October 1979).

Hill, Pati. "Dear Jill." Print Collectors News Letter 10: 204-5 (January 1980).

Hutchins, Tom. "Kolorplaten." Art New Zealand 17: 20-21 (1980).

Jackson, Sarah. "One Artist and Her Philosophy." Atlantis {Canada} 13 (2): 115, 118 (Spring1988).

Johnson, Ken. "Wallace Berman at Louver." Art in America 79 (1):138-139 (January 1991).

Karamon, John J. "30-Second Color Prints from Tommorrow's Coin-op Custom Lab." Popular Photography 73 (4):116-117, 145 (October 1973).

Katsarou-Kokkine, Lena. "E tekhnike tes fotokopias (The art of photocopying)." Eikastika {Greece} 36: 54-57 (December 1984).

Kempf, Thomas. "Im Blickfeld des technischen Ensembles: Einige grundsätzliche Abschweifungen zur 'Copy-Art' (Within the Scope of the Technical Ensemble: Some Fundamental Digressions on 'Copy Art')." European Photography 7 (4): 34-7 (Oct. - Dec. 1986).

Kirker, Anne. "Gillian Chaplin." Art New Zealand {New Zealand} 43: 71-73 (Winter 1987).

Kirkpatrick, Diane. "On the Trail of Time with Sonia Landy Sheridan." Lightworks {Michigan}14/15: 25-28 (1981).

Kirkpatrick, Diane. "Sonia Landy Sheridan." Woman's Art Journal 1 (1): 56-59 (Spring/Summer 1980).

Kirkpatrick, Diane. "Sonia Sheridan: Between Mind and Machine." Afterimage {Rochester} 5 (8): 14-15 (February 1978).

Larson, William. "Copier Art: The Precedents." Print Review 20: 5-12 (1985).

Lesmez, A. V. "Artists Explore a Brand New Art Form: Part II." Industrial Art Methods 11 (10): 16-20 (October 1972).

Lesmez, A. V. "Artists Explore a Brand New Art Form: Part I." Industrial Art Methods 11 (9): 16-19 (September 1972).

Lewandowski, Simon. "Copy Art." Artists Newsletter {UK} August 1988: 23-25.

Linker, Kate. "Copy Cat Show." Artforum 20 (8): 76 (April 1982).

Livingstone, Marco. "David Hockney's Home-made Prints." Art & Design {UK} 3 (1-2):12-15 (1987).

Liss, David. "Montréal, copy art: What happened to the pioneers?." Artfocus 4 (2): 20-23 (Winter 1996).

Lloyd, Ginny. " 10 Cents a Page." Women Artists News 7 (6):11-12 (Summer 1982).

Lloyd, Ginny. "Copy Art: Europe and San Francisco." Art Com Magazine 4 (4): 39-40 (Spring 1982).

Ludanowski, Simon. "Copygraphy- Photocopy Art." Alba {UK} 11: 65-7 (Spring 1989).

Marshall, Jules. "Art, No Waiting." Wired {San Francisco} 2 (8): 100-101 (August 1994).

Máté, Gyula. "Wire-Brush Electrographic Art." Leonardo 28 (2): 155-156 (1995).

McAvera, B. "Waltzing in the Wonder of Why (Micheal McCaughan's Photocopies)." British Journal of Photography 137: 16- 17 (January 25, 1990).

McCray, Marilyn. "Electroworks, the office machine as Rembrandt" American Photographer 3 (6): 64-71 (December 1979).

McWillie, Judith. "Exploring Electrostatic Print Media." Print Review 7:75-81 (1977).

Morse, Marcia "Copier Art." Artweek 10 (17): 15 (April 28, 1979).

Mühleck, Georg. "The ribbon memory and the pirate art process" Cahiers des Arts Visuels au Québec 10 (38): 4-5 (1988).

Neaderland, Louise Odes. "Artist in the Age of the Copy Machine." Women Artists News 13 (2): 17 (Summer 1988).

Norton, Tom. "De Electrographics van Tom Norton." Kunst Beeld {Amsterdam} 4 (2): 42-44 (November 1979).

Palinkas, C. , ed. "Copy Art." Apex {Germany} Issue 6 (1989).

Patrick, Tom. "Xerography." Whole Earth Review {California} 57: 42-43 (Winter 1987).

Patton, Cynthia. "Xerox: One Artist's Way With." Visions {Boston} 6 (6): 6-7 (August 1982).

Pellini, Pietro & Berbesz, Yola. "Copy-works." Apex {Köln} 17: 141-3 (1993).

Perkins, Stephen. "Xerox and Street Art (He Who Rode A Tiger)." Factsheet Five {New York} 30: 82-83 (May 1989).

Portner, Dinah. "Contemporary Xerography." Artweek 10 (22): 15 (June 30, 1979).

Poynor, Rick. "Copy art." Blueprint {UK} 73: 38-39 (December 1990- January 1991).

Prando, Edo. "Copie originali: Una tecnica fotografica diversa dal solito." Fotografare {Italy}15 (20): 66- 69 (April 1986).

Richardson, J. E. "Toronto: Colour Xerography Show at the Ago." Artmagazine {Canada} 8 (30): 19-22 (December 1976/January 1977).

Rigal, Christian. "Electrography and Patronage." Museum 44 (2): 87 (1992).

Rigal, Christian. "Le Point sur L'electrography (Focus on Electrography)." Arnyékkötõk {Budapest} 2 (1): 25-28 (Winter/Spring 1992).

Rigal, Christian. "L'electrographie (Electrography)." Colóquio/Artes {Portugal} 26 (61): 18-31 (June 1984).

Rigal, Christian. "The Great Tape Measure." High Performance 6 (2): 34 (1983).

Rigal, Christian. "Copy art." Beaux Arts Magazine {France} 11: 40-45 (March 1984).

Rose, Cynthia. "Views you can use (xerographic art)." New Statesman & Society {UK} 2 (71):40-41 (October 13, 1989).

Rosenthal, George & Zachary Frank, eds. "Xerography." in Portfolio: The Annual of the Graphic Arts. Cinncinati: Zebra Press, 1950.

Rothschild, Norman. "Would You Believe? 20 Cent Color Prints in 20 Seconds?." Popular Photography 74 (3): 89-91, 130 (March 1976).

Scholl, Jane D. "Press the button- Out comes art." Smithsonian 11 (7): 26 (1980).

Scott, Joanna. "You Can't Judge A Book By Its Cover." Afterimage {Rochester} 15 (6): 4-5 (January 1988).

Shaw, Jim. "Xerox Art by Jim Shaw." Lightworks {Michigan} 6: 31 (December/January 1977).

Sheridan, Sonia Landy. "Image Generation Survey: Electrostatics." Leonardo 23 (2/3): 251-3 (1990).

Sheridan, Sonia Landy. "Generative Systems vs. Copy Art: A Clarification of Terms and Ideas." Leonardo 16 (2): 103-108 (Summer 1983).

Sheridan, Sonia Landy. "Tools and the Artist." Afterimage {Rochester} 9 (1&2): 23-25 (June 1981).

Sheridan, Sonia Landy. "Generative Systems A Decade Later: A Personal Report." Afterimage {Rochester} 6 (7): 7-9 (February 1979).

Sheridan, Sonia Landy. "Generative Systems- Six Years Later." Afterimage {Rochester} 2 (9): 6 (March 1975).

Sheridan, Sonia Landy. "Statement." Untitled {Carmel, California} 9:25-28 (1975).

Sheridan, Sonia Landy. "Generative Systems." Afterimage {Rochester} 1 (2): 2-4 (April 1972).

Shin-ichiro, T. & Shrier J. "Jeffrey Shrier." Idea {Japan} 26 (149): 68-75 (July 1978).

Sinclair, Ross. "Mark Pawson." Variant {UK} 10 :61 (Winter 1991).

Smyth, Donna E. "Metamorphosis: Sarah Jackson and xerography." Atlantis {Nova Scotia} 2 (1): 40-45 (Fall 1976).

Sterrett, Jane. "Interview with Antonio Frasconi." Print Review 17: 38-50 (1983).

Stofflet-Santiago, Mary. "Susan Wick: a life in books." Artweek 7 (8): 3-4 (February 21, 1976).

Theil, Linda. "Color Xerography and the Fiber Artist." Fiberarts 8 (5): 59-63 (September/October 1981).

Thompson, Alexa. "Digital Colours: Sarah Jackson's Copier Art." Arts Atlantic {Canada} 8 (2):37-40 (Winter 1988).

Thompson, Peter. "Change and Exchange: Generative Systems in Education." Afterimage {Rochester} 8 (1&2): 30-33 (Summer 1980).

Thompson, Peter. "Change & Exchange: The Generative Systems Workshop: Columbia College, Chicago." Umbrella {Pasedena, California} 3 (1): 1-4 (January 1980).

Tisa, Benedict & Catlin, Magie. "Accessible art." Darkroom Photography 9 (1): 34-39 (January/February 1987).

Valesco, F. "Combining Color Xerography with the Techniques of Silkscreen and Intaglio." Leonardo 17 (1): 27- 32 (1984).

VanDenBrouk, Sharon. "Where's The Hand?." Detroit Focus Quarterly 10 (4):8-9 (Summer 1993).

Walker, C. G. "3M's marvelous machines." Communication Arts 15 (4): 84 (September/ October 1973).

Watano, Shigeru. "Lieve Prins: Graphical art by color copy machine" Idea {Japan} 32 (186): 54-59 (1984).

Williams, Alice. "Jill Lynne: She goes beyond collage to create fantastic 'machine art' with Xerox and 3M color copiers." Popular Photography 80 (3): 88-91, 174 (March 1977).

Winokur, Ken. "Plastic Image." Views {Boston}1 (4): 7 (Summer 1980).

Witte, Mary Stieglitz. "Visual Imaging with the Color Copier." YLEM Newsletter {Orinda, California} 13 (8): 2 (August 1993).

Wolfe, C. "Wallace Berman: A seminal influence." Umbrella {Pasadena, California} 2 (1): 1-2 (January 1979).

Zemens, Joyce. "Colour Xerography: Art Gallery of Toronto, Ontario." Artscanada 34 (1):62-63 (March/April 1977).


Alcalá Mellado, Josbe Ramon & Canales, J. Fernando Niguez. Copy-art: la fotocopia como soporte expressivo (Photocopy as an Expressive Support) {Colección PARAARTE 1}. Alicante, Spain: Instituto de Estudios Juan Gil-Albert, Centro Eusebio Sempere de Arte y Comunicacibon Visual, 1986. ISBN 84-505-4771-7

Alcalá Mellado, Josbe Ramon & Canales, J. Fernando Níguez. Los Seminarios de Electrografía. Valencia, Spain: Universidad Politecnica de Valencia, 1988.

Baraldi, Celeste; Chiuchiolo, Marcello; Denti, Giuseppe. Xeros Art. Milan, Italy: Edizione Xeros Art, 1995.

Baraldi, Celeste; Chiuchiolo, Marcello; Denti, Giuseppe. Copy Art: La Funzione Creativa Della Fotocopiatrice. Bologna, Italy: Ulisse Edizioni, 1991.

Bravo, Jesus Pastor. Electrografia Y Grabado. Bilbao, Spain: Caja de Ahorros Vizcaina, 1989.

Brunet-Weinmann, Monique. Medium Photocopy: Canadian and German Copygraphy. Georg Mühleck, ed. Stuttgart, Germany: Transatlantic Press, 1987. ISBN 2-89314-094-7

Carbol, Thomas J. & Betty Williams Carbol, eds. The Printmaker in Illinois: Directions 1971-72. Springfield, Illinois:IAEA,1972.

Casalis, Laura, ed. 80's: Xerochromes by Gianni Castagnoli. Milan, Italy: Franco Maria Ricci and Gege Schiena, 1979.

Christmann, Daniela; Kiesewetter; Martin, Otto; Weber, Andreas. RückSicht: Festschrift für Hans-Jürgen Imiela zum 5. Februar 1997. Mainz, Germany: Verlag Hermann Schmidt, 1997.

Edeen, Susan and Flatt, Carol. Instant Graphics: Getting Creative with Copy Machines. Belmont, California: David S. Lake, 1984.

Fejos, Károly, ed. Válogatás Maté Gyula munkáiból: Grafikak. Szekszárd, Hungary: Schöck Bt., 1999.

Firpo, Patrick ; Alexander, Lester ; Katayanagi, Claudia; Ditlea, Steve. Copy Art: The First Complete Guide to the Copy Machine. New York: Richard Marek Publishers, 1978. ISBN 0-399-90016 0OP

Fleischman, Paul. Copier Creations. New York: HarperCollins,1993.

Howell-Koehler, Nancy. The Creative Camera. Worcester, Massachusetts: Davis Publications, 1989.

Huemer, Peter. Image In Motion (Photocopy Medium: Works 1987-2002). Klagenfurt, Austria: Ritter Verlag, 2002.

Larbalestier, Simon. The Art & Craft of Collage. San Francisco: Chronicle, 1995.

Larson, William. Fireflies. Philadelphia, Pennsylvania: Gravity Press, 1976.

Lipschutz-Villa, Eduardo, ed. Wallace Berman: Support the Revolution. Amsterdam, Holland: Institute of Contemporary Art, 1992.

Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. 2nd Edition. Englewood Cliffs, New Jersey: Prentice-Hall, 1992. ISBN 0-13-681164-7

Mathiaut, Jean, ed. Copy-art: Électrographie-Électroradiographie-Télécopie. Dijon, France: E. N. B. A. & Media Nova, 1984.

Meyer, Ursula. Conceptual Art. New York: Dutton, 1972.

Munari, Bruno, ed. Xerographie originali : Un esempio di sperimentazione sistematica strumentale (Original Xerography: An example of instrumental systematic experimentation). Bologna, Italy: Nicola Zanichelli, 1977.

Munari, Bruno. Xerographia: Documentazione sull'uso creativo delle macchine. Rank Xerox, 1970.

Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams, 1993.

Schwartz, Hillel. The Culture Of The Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996.

Tait, Jack. Beyond Photography: The Transformed Image. New York: Visual Communications Books, 1977.

Tandis, Aldo. Bruno Munari: From Futurism to Industrial Design. London: Lund Humphries, 1986. ISBN 0-85331-515-9

Turcotte, Brian Ray and Miller, Christopher T. Fucked Up + Photocopied: Instant Art of the Punk Rock Movement.Corte Madera, California: Gingko Press, 1999.

Urbons, Klaus. Electrografie: Analoge und digitale Bilder. Köln, Germany: DuMont Taschenbücher, 1994.

Urbons, Klaus. Copy art: Kunst und design mit dem photocopierer. Köln, Germany: DuMont Buchverlag, c. 1991.

Walker, John A. Art Since Pop. Woodbury, New York: Barron's, 1975.


Aigner, Carl; Huemer, Peter & Assman, Peter. Zwischenbilder/ Zwischenraum- Kopigrafische und electrografische Arbeiten von Österreichischen Künstlern. Linz, Austria: OÖ. Landesgalerie, 1994.

Alcalá, José Ramón and Canales, Fernando Ñíguez. Electrografien:

Alcalacanales. Mülhiem an der Ruhr, Germany: Museum für Fotokopie, 1988. ISBN 84-370-0420-9

Allen, Ben. Ben Allen. Belfast, Ireland: Arts Council, 1991.

Baraldi, Celeste; Chiuchiolo, Marcello; Denti, Giuseppe. Progetto Xeros Art, 1998-1994. Milan, Italy: Xeros Art, 1994.

Baraldi, Celeste; Chiuchiolo, Marcello; Denti, Giuseppe. Artmedia IV: L’Originalita Della Copia. Salerno, Italy: Galleria Fovea, 1992.

Belletti, Fabio et. al. The International Society of Copier Artists. Bologna, Italy: Galleria Communale d'Arte Moderna, 1986.

Bern, Marshall. Copy Art Show. Palo Alto, California: Xerox PARC, 1993.

Bianchini, Paul. Des Grands Meubles. Paris: Galerie Toner, 1993.

Bianchini, Paul. La Disparition de le'Alphabet. Paris: Galerie Toner, 1994.

Bianchini, Paul. Le Dernier Souper. Paris: Galerie Toner, 1993.

Blais, Céline, ed. & Brunet-Weinmann, Monique. Copiphotographies. Montréal: Centre Copie-Art, Inc., 1991.

Bravo, Jesus Pastor. Jesus Pastor. Madrid: Arteara Galeria, 1991.

Bravo, Jesus Pastor. Electrografia Y Grabado. Durango, Spain: Museo De Arte E Historia, 1990.

Bravo, Jesus Pastor. El Copy-Art Aplicado Al Grabado. Bilbao, Spain: Caja de Ahorros Vizcaina, 1988.

Bright, Betty & Wirth, Karen, eds. Copier Books. Minneapolis, Minnesota: Center for the Book Arts, 1990.

Briot, Marie-Odile & Lecombre, Sylvain, eds. Electra: L'electricite et l'ectronique dans l'art au XXe siecle (Electricity and electronics in the art of the 20thc). Paris: Editions Amis du Musée d'Art de la Ville de Paris, 1983. ISBN 290449703X

Brunet-Weinmann, Monique. La Copigraphie et ses Connexions (Copigraphy And Its Connections). Hull, Canada: Galerie Montcalm, 1994. ISBN 2-921541-03-3

Brynntrup, Micheal. Lebende Bilder: Still Lives. Berlin: MBC Produktion, 1992.

Cabanis, Daniel. Stores Et Abat-Jour. Montréal: Le Cacao Éditeur, 1994.

Cabanis, Daniel. My Tailor Is Cheap. Paris: Éditions Bériberi, 1992.

Canales, Fernando Ñíguez, ed. 2 Bienel Internacional Electrografía y Copy Art. València, Spain: Ajuntament de València/ Universidad Politécnica de València, 1988.

Carrion, Ulises. "Copias Originales." in II. Bideoaldia eta Muzak-Crash. Tolosa, Spain: Bostgarren Kolekiboa, 1988.

Charbonneau, Jacques and Boissonnet, Philippe, eds. Copies Non Conformes: Artistes en Résidence 1987-1991. Montréal: Centre Copie-Art, Inc., 1992.

Charbonneau, Jacques & Rainville, Marc O. , eds. L'ere du Copie-Art (The Era of Copy-Art). Montréal: Les Éditions Motivation V, 1981.

Ciani, Piermario. Xerographica. Udine, Italy: Campanotto Editore, 1985.

Ehmer, Angelika & Krämer, Torsten, eds. Die Sehnsucht der Elektronischen Medien Nach Natur (The Longing of the Electronic Media for Nature). Schwäbisch Gmünd, Germany: Gmünder Kunstverein, 1993.

Fablet, Pierre and Cabanis, Daniel. Photocopies. Rennes, France: Centre National des Arts Plastiques, 1988.

Fablet, Pierre. Le Grimoire de Pierre Fablet. Paris: Canon Center, 1994.

Figueiredo, César, ed. Copy Art: Electrographic Exhibition. Gaia, Portugal: Biblioteca Pública Municipal de Vila Nova de Gaia, 1990.

Figueiredo, César, ed. Expo-copy 93: Exibição Internacional de Copigrafias. Matosinhos, Portugal: Câmera Municipal de Matosinhos, 1993.

Fuchser, Ueli & Graber, Ewald. Global- Art- Fusion. Bern, Switzerland: Art-Fusion-Edition, 1986. ISBN 3905102013

Glicksman, Hal. Wallace Berman Retrospective. Los Angeles: Fellows of Contemporary Art/Otis Art Institute, 1978.

Gonzalez, Marisa. Miradas En El Tiempo/ Glances In Time. Madrid: Galeria Aele Evelyn Botella, 1993.

Gonzalez, Marisa. Pintures Elecrografiques i Instal. lacio. Valencia, Spain: Centre Cultural D'alcoi, 1991.

Hanna, Martha. Evergon 1971-1987. Ottawa, Canada: Canadian Museum of Contemporary Photography, 1988. ISBN 0-88884-553-7

Hill, Pati. Fait Sur Copieur. Sens en Bourgogne, France: Cinq Rue Jules Verne, 1991.

Hill, Pati. Letters To Jill: a catalogue and some notes on copying. New York: Kornblee Gallery, 1979.

Hodgson, Trevor. Xerographs. Hamilton, Ontario: Art Gallery of

Hamilton/McIntosh Gallery, 1982-3.

Högestätt, Eje & Rosdahl, Anders, eds. New Media 2. Mälmo, Sweden: Konsthall, 1984.

Huemer, Peter, ed. Copy Book Art International. Linz, Austria: Galerie Maerz, 1996.

Huemer, Peter, ed. Kopiegraphie: Eine Belichtung Österreichweit. Linz, Austria: Galerie Maerz, 1990.

Huemer, Peter. Peter Huemer: Kopiegraphie/ Mischtechnik. Linz, Austria: Galerie Maerz, 1990.

Ishi-Kawa, L. Variaciones En Gris. Madrid: Centro Cultural de la Villa, 1992.

Jackson, Sarah; Clarke, Mary Ann; et. al. International Copier Art Bookworks Exhibition '86: Books Build Bridges. Halifax, Nova Scotia, Canada: Tech Press, 1986. ISBN 0-920692-19-2

Jackson, Sarah & Barron, Doug. Arts & Technology Festival '85: International Mail/Copier Art Exhibition. Halifax, Nova Scotia, Canada: Arts & Technology Centre Atlantic, 1985.

Kadar, Joseph. Electrografikák 1992: Group A-Z, Art Électro-images, Paris. Györ, Hungary: Xántus János Múzeum Képtára, 1992.

Kadar, Joseph. Le K'dar: Art Electro-images. Budapest, Hungary: Vasarely Múzeum, 1992.

Kadar, Joseph. 1re Biennale d'Art Electro-images. Budapest, Hungary: Vasarely Múzeum, 1992.

Kadar, Joseph. Electrografikák 1991: Group A-Z, Art Électro-images, Paris. Budapest, Hungary: Vasarely Múzeum, 1991.

Klotz, Martin; Rudin, Angelika; Stirnemann M. Vänçi. Copy Art: 50 Jahre Xerografie, FOtokopie in der Kunst (22. -10. -38 Astoria New York). Zurich: Copy-Left, 1988.

Kunz, Susan and Hawthorne, Kirsten, eds. Xerox/xerox/xerox. Boulder, Colorado: University of Colorado, 1977.

Larson, William, ed. National Copier Art Exhibition. New York: Pratt Graphics Center,1984.

Lloyd, Ginny, ed. Copy Art Exhibition. San Francisco: The Carbon Alternative, 1980.

Martin, Ross. What’s Going On Here? The Secret Nightlife Of The Office Copier. Portland, Maine: Invisible College of Collage, 1996.

Máté, Gyula. Enamelled Pictures, Electrographics. Szombathely, Hungary: Picture Gallery Szombathely, 1993.

McCray, Marilyn, ed. Electroworks. Rochester, New York: International Museum of Photography at George Eastman House, 1979. ISBN pbk, 0-935398-00-7 clthbd, 0-935398-01-5

Moore, Jeannine Beck & Witte, Mary Stieglitz, eds. North American Off-color Exhibition: A Juried Exhibition of Art Works Off Color Copiers. Boise, Idaho: Boise State University Department of Art, 1991.

Mühleck, Georg 1/90 Georg Mühleck (The Pirate Art Process: Montréal 1989). Köln, Germany: Galerie Rahmel, 1990.

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Museo Internacional De Electrografía (MIDE). Electrografias: Coleccion Museo Internacional de Electrographía. Cuenca, Spain: Universidad de Castilla-La Mancha, 1991.

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Nélos, Antonio & Figueiredo, César. Electrografias. Casa de Bocage, Portugal: Galeria Municipal de Artes Visuais, 1991.

Norros, Heta & Jürgen O. Olbrich. Copy Art: Trocken schreiben- It's a Copy World. Kaiserslautern, Germany: Pfalzgalerie Kaiserslautern, 1993.

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Olbrich, Jürgen O. & John, Franz. Com Trust: An Electrographic Expedition To The Arctic Circle. Rovaniemi, Finland: Rovaniemi-Lappland, 1992.

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Olbrich, Jürgen O. Echtzeit. Kassel, Germany: Kasseler Kunstverein, 1988.

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Pellini, Pietro & Berbesz, Yola. Copy-Art-Fax-Aktion. Köln, Germany: Toshiba CEBIT, 1991.

Perkins, Stephen. Babel, Wisconsin: Printed Matter From Xexoxial Editions. Green Bay, Wisconsin: Lawton Gallery, 2001.

Rigal, Christian. L'artiste et la Photocopie. Paris: Editions Galerie Trans/Form, 1980.

Royal College of Art. Original Copies. London: Royal College of Art (UK), 1990.

Schraenen, Guy. Copie-Grafien: Bücher und Graphik. Bremen, Germany: Neues Museum Weserberg, 1995.

Schraenen, Guy. Kopie Als Origineel. Antwerp, Belgium: Museum Voor Fotografie, 1988.

Schumann, Max, ed. By Any Means Neccessary: Photocopier Artists' Books and the Politics of Accessible Printing Technologies. New York: Printed Matter Bookstore at DIA, 1992.

Sheridan, Sonia Landy. Energized Artscience. St. Paul, Minnesota: Generative Systems, 1978.

Sheridan, Sonia Landy. The Inner Landscape and the Machine: A Visual Studies Workshop Exhibition of the Work of Sonia Landy Sheridan. Rochester,New York: Visual Studies Workshop,1974.

Urbons, Klaus, ed. Trivial Machines 1- Electrografie: Analoge und Digitale Bilder. Mülhiem an der Ruhr, Germany: Museum für Fotokopie, 1992.

Urbons, Klaus, ed. Der Copy-Art- Wettbewerb 1991 im Museum für Fotokopie. Mulhiem an der Ruhr, Germany: Museum für Fotokopie, 1991.

Vugts, Agnes, ed. Copy Art: Kopiëren met de K van Kunst. Tilberg, Holland: Scryption Museum, 1997.

Wickstrom, Richard D. and Sheridan, Sonia Landy. Sonia Landy Sheridan: A Generative Retrospective. Iowa City, Iowa: University of Iowa Museum of Art, 1976.

Williams, Emmett. Schemes and Variations. Stuttgart, Germany: Editions Hansjörg Mayer, 1981.

Updated 1 April 2003.

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