by John Blakinger
Ian Verstegen
Ian Verstegen (art historian), University of Pennsylvania. Email: verstege@sas.upenn.edu.
Ian Verstegen is Associate Director of Visual Studies at the University of Pennsylvania. He writes on the history, theory and historiography of early modern and modern art.
Journal Articles
Leonardo Reviews
The Psychology of Graphic Images: Seeing, Drawing, Communicating by Manfredo Massironi. Lawrence Erlbaum Associates, Mahwah, NJ, U.S.A., 2002. 319 pp., illus. Paper, $35.00; Cloth, $89.95. ISBN: 0-8058-2932-6; ISBN: 0-8058-2933-4
April 2003
Leonardo Reviews
A Theory of /Cloud/: Toward a History of Painting
October 2004
Leonardo Reviews
Il Disegno Obliquo: Una Storia Dell'Antiprospettiva by Massimo Scolari. Marsilio, Venice, 2005. 347 pp., illus. Trade. ISBN: 88-317-8617-2.
October 2006
Leonardo Reviews
The Virtual Window: From Alberti to Microsoft by Anne Friedberg. MIT Press, Cambridge, MA, U.S.A., 2006. 448 pp., illus. Trade. ISBN: 0-262-06252-7
April 2008
Theoretical Perspective
Dispositional Realism and the Specificity of Digital Media
April 2014
Leonardo Reviews
Arnheim for Film and Media Studies edited by Scott Higgins. Routledge, London, U.K., 2011. 283 pp., illus. Trade, paper. ISBN: 978-0-415-80107-2; ISBN: 978-0-415-80108-9
April 2012
Leonardo Reviews
An Introduction to Neuroaesthetics: The Neuroscientific Approach to Aesthetic Experience, Artistic Creativity, and Arts Appreciation
June 2016
Online Reviews
January 2021
June 2019
by Christian Metz; Cormac Deane, Translator
April 2017