
LASER Talks in Jerusalem
The Walling World: The Age of Partition
The INEMEA Association, in collaboration with CYLAND, presents a discussion exploring how art and science reveal borders as living structures that simultaneously protect and imprison, exposing the interconnected nature of physical, digital, biological, and social boundaries that define our age of partition.
Participants: Maxim Imanou Fadeev, Olga Remneva, Victor Vakhshtayn
Chaired by: Galina Bleikh
Coordinated by: Lilia Chak
Moderated by: Daria Kesler
EVENT INFO
When: Sunday, January 25, 2026, at 7:00 PM (UTC +2) | Find your timezone HERE
Where: Hybrid event
In-person: The President Hotel Art Center, Ahad Ha-Am str. 3, Jerusalem, Israel.
Online: Access via Zoom (please register to receive the Zoom link)
Website: INEMEA
We live in an age of partition. Physical walls are rising faster than ever in history, digital borders divide information space into sovereign territories, biological boundaries between organism and technology blur, while social frames structure our everyday interactions. All these types of borders—geopolitical, technological, corporeal, symbolic—are interconnected and mutually constitutive. This Laser Talk explores how artistic and scientific practices help us detect, articulate, and rethink the phenomenon of borderization that defines our present.
Maxim Imanou Fadeev presents his talk “State of Borders: Protect or Imprison.” His project Borderization explores the rapid proliferation of physical, psychological, and digital borders. In 100 years, nation-states tripled—and so did their borders. More walls were built in the last 30 years than in the previous 300. Digital borders now emerge as governments pursue information sovereignty. This unfolds alongside polarized and charged migration discourse: "we are all the same" versus "we are all different". The work combines geolocation data, historical datasets of wall construction, rhetorical tools used to justify borders, and satellite imagery. The result is as ambiguous as borders themselves: structures that protect or imprison.
Olga Remneva explores "The Border Between the So-Called 'Us'." Using three conceptually and stylistically different projects as examples, she speaks about the walls in communication—both interpersonal and interspecies. As technology mediates our interactions, these barriers operate on multiple levels: hearing ourselves in the world of machines, hearing each other via technological media, and hearing the Other when the Other is a robot. The work reveals communication as a contested border zone where understanding and misunderstanding, connection and isolation, coexist in perpetual tension.
Victor Vakhshtayn in his talk "No Borders, No Communication: A Blind Spot in Globalization Theory," turns to the issue of micro- and macro-borders that do not arise in the process of communication but rather make it possible. Drawing on actor–network theory within Science and Technology Studies, he analyzes the role of borders in the evolution of social interaction and the revision to which the very idea of the border has been subjected in the fast-paced era of globalization.
Chair:
Galina Bleikh
Israel
A multidisciplinary artist. Her creative expertise spans a rich spectrum of artistic domains, encompassing AI, 3D modeling, AR and VR, bio-art, generative art, and more. At the heart of her artistic pursuit lies a fascination with the profound synergy between the emerging artificial reality and its transformative interaction with human experience through art. Galina graduated from the Stieglitz St. Petersburg State Academy of Art and Industry (MA). Since 1993, lives in Jerusalem. Galina is a cofounder of the INEMEA Association for Art, Culture, and Education and the INEMEA Jerusalem Art & Science lab. Since 2024, Galina becomes a host of Leonardo/ISAST Laser Talks Jerusalem. Galina takes part in many exhibitions and conferences. Among them: The CICA Museum of Modern Art, Republic of Korea (3 group exhibitions: 2025, 2024, 2023, and solo: 2025 and 2021), Jerusalem Biennale (co-curator and participating artist, 2023–2024), ArtPlatform-On, Republic of Korea (2022), NordArt, Germany (2019), Haifa Museum of Art, Israel (2018), LA Art Show USA (2013), etc (+60).
bleikh.art
Coordinator:
Llila Chak, PhD
Israel
Lilia Chak (b. 1966, St. Petersburg) is an Israeli artist, designer, and science-art researcher based in Jerusalem. Her interdisciplinary practice spans new media, Bio-art, Dendro-art, AI-generated art, video, photography, and installation. She holds a PhD from the Art & Science Department at Sorbonne University (2022) and is a Postdoctoral Fellow at Bar-Ilan University, researching AI-driven directions in Bio-art. Chak is the author of Contemporary Practices in Bio-art: When a Tree Becomes an Artwork (Cambridge Scholars Publishing, 2023) and introduced the term “Dendro-art” into international discourse. Her work has been shown internationally in venues including Ars Electronica, BOZAR, Shenzhen Art Museum, CICA Museum, Negev Museum of Art, Museo Orto Botanico Rome, and Matsudo International Science Art Festival. She has received multiple awards, including recognitions from WMF PROMPT Magazine, Chung-Ang University’s AIIF, and Project 59 Inc. Chak coordinates Leonardo/ISAST LASER Talks in Jerusalem and teaches “Art, Biology and Ecology” at Shenkar College.
chak-art.gala-studio.com
Speakers Bios
Olga Remneva, PhD

INEMEA (Israel / International New Media Art) is a Jerusalem nonprofit association in Art, Culture, and Education. Founded in 2023, INEMEA brings together Israeli and International artists, scientists, thinkers, and technologists. Through interdisciplinary dialogue and opportunities for community building, INEMEA encourages contributions to the cultural environment of Israel as well as international relations and contacts with organizations sharing a similar mission. The association is the founder of Art & Science INEMEA Lab.
Israel