Leonardo/ISAST is thrilled to announce the addition of three new team members!
Leonardo/ISAST announces CripTech Incubator’s 2022-2023 inaugural cohort of six disabled artists, who have been selected to create and showcase innovative work in art and technology at residency sites across California. Leonardo’s artist fellows include: Carmen Papalia, Olivia Ting, JS Shokrian, Meesh Fradkin, Andy Slater and Moira Williams. Supported by the California Arts Council, Ability Central and the National Endowment for the Arts, CripTech Incubator is an art-and-technology fellowship centered on disability innovation. Encompassing residencies, workshops, presentations, publication and education, this innovation incubator creates a platform for disabled artists to engage and remake creative technologies through the lens of accessibility.
As a result of more than 50 years of publishing work on the cutting edge, Leonardo has become the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and, increasingly, the application and influence of the arts, design and humanities on science and technology.
[Anti]disciplinary Topographies: Culturing transnational dialogue for creative hybridity
[LINZ, AUSTRIA] From 8 to 12 September, Leonardo will be a critical node in the Ars Electronica Gardens, a virtual map that stretches across the planet. Expanding the launch of LASER Linz, Leonardo LASER Garden can also be experienced via the Internet as an asynchronous multi platform consisting of talks, performances and online exhibitions.
EPISODE NOTES (click through for transcript and more)
We talk Ars Electronica, an annual festival for art, technology and society in Linz, Austria. In a collaboration with Ars Leonardocast, Kenneth Azurin and Dawn Faelnar interview Dutch fashion and textile designer Hellen van Rees about her projects at Ars 2018. Leonardo’s Vanessa Chang introduces [Anti]disciplinary Topographies for Ars 2021. The first winner of the Prix Ars Electronica, Brian Reffin Smith, reviews Lead in Modern and Contemporary Art edited by Sharon Hecker and Silvia Bottinelli.