As a result of more than 50 years of publishing work on the cutting edge, Leonardo has become the leading international peer-reviewed journal on the use of contemporary science and technology in the arts and music and, increasingly, the application and influence of the arts, design and humanities on science and technology.

Constructive peer reviews are critical to Leonardo’s publication process. Leonardo relies on its expert peer reviewers to address work across disciplines with academic rigor and a sympathetic intelligence that provides our authors with insights that allow them to present their work as strongly and clearly as possible.

In 2017 we commenced a quarterly recognition of exceptional peer reviewers in our network. We extend our gratitude and congratulations to the following for their in-depth and deeply constructive feedback on papers under consideration for publication.

I-Lien Ho is a performance artist and researcher, currently assistant professor in the Department of Theatre Arts at National Sun Yat-sen University in Taiwan. Her interests are poetics and politics of intermedia and intercultural performance, Eastern philosophy, particularly the concept of Kongwu into performance.

Sandra Pauletto is an associate professor in media technology and docent in sound and music computing at the Department of Media Technology and Interaction Design at KTH Royal Institute of Technology, Sweden.  She also is Associate Director for Mobility for the Digital Futures research center.

Hector Rodriguez is an algorithmic artist and theorist whose work applies machine learning and computer vision to reconfigure the moving image archive. He currently teaches courses about machine learning, interdisciplinary art, narrative strategies, and art/science at the School of Creative Media in the City University of Hong Kong. 

Bojana Videkanic is an associate professor of art history and visual culture at the University of Waterloo. She is a practicing artist, curator and an art historian. Her book Nonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945-1985 was published by McGill-Queens University Press in 2020.