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What the Land Holds

As promised, here is an update on our wild clay ventures. Over the past weeks leading up to our Open Studios with Leonardo@Djerassi, a group of us processed the collected materials from the riverside cliffs. This was an exercise in patience. The raw clay material had a significant amount of redwood tree detritus mixed into it, so we added water to bring everything to a slurry. This took several days and many buckets! We then filtered all of the material through a 60 mesh screen. We then let the clay settle to the bottom and poured off excess water.

notes on not opening the black box (open studios 2024)

Fiery Mist

 

 

For the past few days, the mist is being particularly electric as it tenaciously sculpts the landscape. On Sunday morning bright and early we went to catch the new moon low tide in Moss Beach. Lots of new non-human friends such as anemones, crustaceans and hermit crabs to add to my current list of hawks, crickets, gophers and alligator lizards...

Wild Clay at Djerassi

 

Rob Jackson, Sanna Fogelvik, Anthony Acciavatti and I went on a little hunting expedition this past week. We went hunting for wild clay at Djerassi. Rob, Sanna and I were interested in doing some personal experiments and artworks with the clay while Anthony was interested in exploring the creek where we would be searching. We set off to the nearby Harrington Creek where we had been advised clay was most likely to be found. A first spot was a bit sandy and dry. A second spot was located that looked more promising. Rob then rounded a corner of the river bend and found a clay-rich area for harvesting under a redwood tree!

Botanicals for Thought

 

Yesterday was our first full day at Djerassi. Danny Goldberg took us on a hike in the mid-afternoon. We departed from the Artist's Barn and walked a loop trail.

Along the way, we stopped at the many different artworks made by previous residents and Danny explained the botanicals along the pathway. The poison oak was especially evocative, with its many forms, shape-changing along the trail—from light green matte semi-translucent leaves in wispy singular growths to thick dark green oily leaves in tall dense bushes to bright red leafy lines.

INTRODUCING NEW LEONARDO GRADUATE ABSTRACTS EDITOR

 

Leonardo is honored to announce Mary Anne Staniszewski and Yiannis Colakides as the new coordinators/editors of the Leonardo Graduate Abstracts (LGA). This program, a crucial part of the Leonardo Educators and Students initiative, features a comprehensive database of graduate thesis abstracts at the intersection of arts, sciences, and technology. The abstracts cover diverse fields such as visual arts, sound, performing arts, computer sciences, and other technological disciplines, focusing on philosophical, historical, critical, or applied science and technology aspects in the arts. Initiated at Pomona College, the English-language database aims to spotlight interdisciplinary work often overlooked in existing theses repositories.

State Of the Leosphere 2022-23

 
What a joy to share Leonardo's new Impact Report, “State Of the Leosphere 2022-23”! The work featured throughout represents collective efforts spanning five continents of the most irrepressibly curious, inventive, collaborative and creative people across our growing community of masters, misfits, and maestros...
 

LEONARDO ARTISTS TO PRESENT KEYNOTES AT ISEA2024

 

As the International Symposium for Electronic Art (ISEA2024) shapes its engaging program for the upcoming conference in Brisbane, Australia, it’s with great pride that we spotlight three exemplary artists from the Leonardo community who will grace the event as keynote speakers. Cristóbal Martínez and Kade Twist, Leonardo Artist Fellows also known as the visionary duo behind Postcommodity, along with Tiare Ribeaux, our esteemed Leonardo Exchange Lead Artist, are set to illuminate the minds of attendees with their groundbreaking works and thought-provoking insights.