Dr Eugenia Fratzeskou
3 Sinclair Gardens
West Kensington
London W14 0AU
U.K.
Email: eugenfratz@yahoo.com |
Dr Eugenia Fratzeskou (b.1979, Athens) is a Visiting Lecturer in MA Architecture & Digital Media, University of Westminster, member of the Leonardo Reviews Panel and the international Drawing Research Network. Eugenia’s articles on her recent research & practice and her reviews of the latest developments in art, architecture, space, science, technology, cosmology and perception are published in the Leonardo ISAST Journal, The MIT Press.
Eugenia has invented pioneering types of site-specific art through mapping the inter-passages between virtual and actual architectural spaces within new types of virtual environments. She has created new relationships between art, architecture, philosophy, computer science and virtual reality. Her qualifications include an AHRC-funded, practice-based PhD on Visualising Boolean Set Operations: Real & Virtual Boundaries in Contemporary Site-specific Art (Oct. 2002 – Mar. 2006, University of Surrey/Wimbledon School of Art), an AHRC-funded MA Fine Art: Drawing (2002, WSA) and a BA (Hons) in Fine Art Painting (2001, WSA) and a CLTAD certificate in HE teaching.
Her postdoctoral contribution to digital site-specific art, drawing, architecture and philosophy of space has included Interspatiality & Dystopia (lecture & solo exhibition), part of the Un-built 2008 programme of architecture research events (The Athens Byzantine & Christian Museum / School of ARCHitecture for All, Athens, November 2008, http://www.byzantinemuseum.gr/unbuilt/entypa/frantzeskou/frantzeskou%20eng.pdf). Fratzeskou has initiated several international interdisciplinary conferences, exhibitions, research events and publications. She has been the co-editor of the AHRC Fine Art Doctoral Research Training Programme 2005-7 publication (WSA & Kingston University) and the leader of research projects such as Revealing Practice, 2005 (AHRC Fine Art Collaborative Doctoral Training Programme, http://FAdoctraining.wimbledon.ac.uk), Drawing & Digital Technology (international Association of Independent Art Schools, 2001), Venice Revisited (International Venice Biennale Agendas, Venice & Tate Britain, London, 2003), Drawing Projects with the Centre for Interactive Network Arts (WSA), MARCEL and NY Digital Salon, 2003. She has worked as the Artist-in-residence for Computers in Art & Design Education 2003 and CADISE 2001 programmes and participated in several exhibitions and publications including Without Borders: Experiments in Art, Culture & Technology, University of Maine/MARCEL, 2004, Marks in Space: Drawing & sculptural form, Usher Gallery, UK, 2004 (with C.Parker, L.Gillick and others), Drawing - The process, UK touring show, Kingston University/University of Plymouth, 2003-4, The institutionalisation of Knowledge conference, University of the Arts London /CLTAD, 2005, Not TV: Being There online art festival, Slade School of Fine Art, 2003, AIAS 2002: Digital Shaman symposium, Seoul, TRACEY – Journal of contemporary drawing research, Loughborough University, 2002.
Major prizes include Gold Medals & Awards of Excellence in Fine Art by the Greek Government and Chelsea College of Art & Design (1990-1998). Eugenia’s work is featured in archives and journals such as Intute and DigiCult, as well as those of the University of the Arts London, Architectural Association, London, Sandberg Instituut, Netherlands and others.
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