Julie Clarke is an Honorary Fellow in Culture and Communications in the Faculty of Arts at The University of Melbourne, Victoria, Australia. Her research interests include visual culture, the post-human, performance art and bioart. Recent published work includes:

(2009) The Paradox of the Posthuman: Science Fiction/Techno-Horror Films and Visual Media, VDM Verlag, Dr Müller Aktiengesellschaft & Co. KG, Germany.

(2009). Samira Makhmalbaf’s Darkness and Light, Metro Magazine, ATOM, Melbourne, Issue #161.

(2008) Simulated Talking Machines: Stelarc’s Prosthetic Head, Critical Digital Studies: A Reader, (eds. Arthur and Marilouise Kroker), Toronto, ON, Canada: University of Toronto Press, Fall.

(2008). Edward Scissorhands: All Too Human, Australian Screen Education, Melbourne: Australian Teachers of Media, Issue #50, June.

(2008). Doubly Monstrous?: Female and Disabled, Essays in Philosophy, Special Issue on Disability, (ed. Michael Goodman/Christine James), The Department of Philosophy, California: Humboldt State University, Volume 9, No. 1, January.

(2007) Human by Design: GATTACA, Australian Screen Education, Melbourne: Australian Teachers of Media, Issue #46.

(2007). Review of Michael Richardson’s book, ‘Surrealism and Cinema’, Metro Magazine, Melbourne: Australian Teachers of Media, Issue #152,

(2006), Corporeal Melange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars ‘Blender’, Leonardo: Art and Science Journal, MIT, USA, 39:5, October.

(2006), Aesthetic Emergence+Self, ‘Imagine Exhibition Catalogue’, (ed. Zara Stanhope), Heide Museum of Modern Art, Templestowe, Victoria, July.

(2005), Stelarc’s Prosthetic Head, Ctheory – An international peer-reviewed journal of theory, technology and culture, 1000 Days of Theory, (ed) Arthur and Marilouise Kroker), 10 October. http://www.ctheory.net

(2005). A Sensorial Act of Replication, Stelarc: The Monograph, (ed.) Dr Marquard Smith, MIT Press, September.

(2005). Face-Off, Stelarc Interview, Meanjin: New Writing in Australia, Portraits of the Artist, (ed Ian Britain), Melbourne University Press, Vol. 64, No. 1 & 2, p166.

(2004). pros+thesis, LIVE: Art, Performance and the Contemporary, ed. Adrian Heathfield, Tate Publications, September.